Yuga Labs, the parent company of Bored Ape Yacht Club, said in a new court filing that it does not have “copyright registrations” for the 10,000 images that constitution the successful NFT collection.
The new documents were submitted as part of the ongoing lawsuit between Yuga and artist Ryder Ripps, who used images from the BAYC collection for his own NFT collection, titled RR/BAYC.https://www-artnews-com.cdn.ampproject.org/c/s/www.artnews.com/art-news/news/yuga-labs-admits-to-having-no-copyright-over-bored-ape-yacht-club-nfts-1234655279/amp/
Collectors called the expensive NFT mint “clueless” but the sports car brand went ahead anyway, yielding a Web3 wreck in progress.
Porsche’s project focused on the German automaker’s iconic 911 sports car, with a planned drop of 7,500 Ethereum NFTs that would celebrate the vehicle and allow holders access to events and exclusive merchandise. It would also let crypto-savvy car junkies vaguely “help design Porsche’s future in the virtual world.”https://decrypt.co/119912/porsche-nft-drop-crashed-burned
“Writing a good song is not mimicry, or replication, or pastiche, it is the opposite,” he wrote. “It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self.
“This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering.”https://www.theguardian.com/music/2023/jan/17/this-song-sucks-nick-cave-responds-to-chatgpt-song-written-in-style-of-nick-cave
Artists are beginning to use online tools to check if their work is being used to train AI image generators.
Leutwyler used a site called haveibeentrained.com to find out if their work had been included in something called LAION-5B — a dataset of 5.85 billion images and their text captions taken from the internet (including some copyrighted artworks), which have been used to train various AI systems.https://amp-abc-net-au.cdn.ampproject.org/c/s/amp.abc.net.au/article/101786174
Well, the people who created it didn’t think they were doing anything new – they wanted to emulate the past. It’s a story of how innovative ideas aren’t about originality, but imitation…https://twitter.com/culturaltutor/status/1608124451769700352?s=20&t=vGYd8pFRI1Ak8xmXjiW78g
In 2013, researchers at Oxford published an analysis of the jobs most likely to be threatened by automation and artificial intelligence. At the top of the list were occupations such as telemarketing, hand sewing, and brokerage clerking. These and other at-risk jobs involved doing repetitive and unimaginative work, which seemed to make them easy pickings for AI. In contrast, the jobs deemed most resilient to disruption included many artistic professions, such as illustrating and writing.https://www.theatlantic.com/newsletters/archive/2022/12/why-the-rise-of-ai-is-the-most-important-story-of-the-year/672308/
Grotesque art is a slippery category that can be traced back to ancient Roman paintings, which first merged the human form with animals. Throughout history, grotesquery has embodied the anti-beauty aesthetic that pushes conventional boundaries and showcases the allure of extreme transformations. More recently, drag artists have been pioneers of what’s become grotesque content online — it’s partly why The Boulet Brothers’ Dragula show is so popular — and, while it’s not being painted across elaborate ceilings today, the movement still lingers through pimple-popping videos and extreme beauty tutorials.https://i-d.vice.com/en/article/g5v3bj/grotesque-social-media-trend
“Being open to new technology is part of our responsibility,” said Antonelli, the museum’s senior curator for the department of architecture and design, who is known for guiding MoMA’s acquisitions of historical video games like Pac-Man and the @ symbol. “We are never jumping on new technologies, but rather realizing that we need to keep pace with the world.”https://www.nytimes.com/2022/10/31/arts/design/nfts-moma-refik-anadol-digital.html
This project aims to raise awareness about the ease of using tools for synthesizing a real voice. Right now, any motivated fool can do this with a laptop in their bedroom. This changes our relationship with the media we consume online and raises questions about the importance of authoritative sources, breach of trust and gullibility.
Will this technology lead to a massive proliferation of sub-optimal-quality content? Should we simply distrust anything we see online? As new tools are developed to help identify generated content, I recommend maintaining a skeptical stance, particularly when the source/channel of information doesn’t seem reliable and when the claims seem preposterous or outrageous.
Ultimately, I don’t see this as a technical problem, but as a human one. We all share a duty to educate the coming generations about the new paradigm while focusing on forming compassionate individuals who would not misuse these awesome powers.
As an AI optimist, I remain hopeful that we will be able to regulate ourselves, and that we will take experiments such as the Infinite Conversation for what they are: a playful way to help us imagine what our favorite people would do, if we had unlimited access to their minds. Art and Philosophy, here exemplified by Bavarian director Werner Herzog and Slovenian philosopher Slavoj Žižek, can guide us while navigating these treacherous waters.